Early in the morning on Thursday Oct 31, 2019, exactly 27 years to the day after its postwar restoration was complete, seven of the central buildings of Shuri castle (Sui gusuku) the royal palace of the Ryukyu Kingdom, burned down in what seems to have been a tragic, tragic accident.
The front page of the Ryûkyû Shimpô newspaper, Nov 1, 2019.
I awoke that morning to this shocking news. Whether I saw it first on Twitter or on Facebook, I don’t recall. I had actually been in Naha just a week or so earlier, but hadn’t made it to the castle on this visit. Video of the castle in flames was showing amongst other news briefs on the video screens on the Tokyo Metro subway as I made my way into work, and by the time I got into the office, there was an email very kindly forwarded to me by a friend, from Singapore-based Channel News Asia looking for someone to speak briefly, live on-air, via Skype. We had already begun to see reactions in the English-language news, social media, and elsewhere – of which I, I will admit, was guilty as well at first – dismissing the fire as being not that important, since the buildings destroyed were all 1990s-2000s reconstructions and not authentically historical buildings. As I later learned, contributors on Wikipedia similarly came to a swift conclusion not to include the fire in the “In the News” section of Wikipedia’s front page because, as one user wrote, “If this was about the original buildings being destroyed, it’d be newsworthy,” later adding “Thanks for the correction, let’s make it a strong oppose then. I’ve got clothes older than the buildings destroyed. This is completely misleading and not in the slightest newsworthy.” Having since read much, not only in scholarship and newspapers, but also on friends’ social media accounts, about how much the castle meant to them, I was saddened and infuriated.
I still feel conflicted about having accepted the invitation to speak on-camera, rather than doing the “recognize your privilege” thing and deferring to Okinawan or Okinawan-American friends – I hate that anyone should think that I would be eager to use such a tragic event as an opportunity for self-promotion. But I did think that most Okinawans or Okinawan-Americans I might pass it along to were likely plenty busy with commenting or responding in other ways – and many did end up being interviewed by the media, or having an opportunity to respond publicly in other ways, and I hope I can feel okay with the idea that I wasn’t really stealing anyone’s spotlight but simply adding an additional, supporting, voice, repeating and amplifying the voices I had heard, to do what little I could to try to help correct some misunderstandings and, simply, to bring Okinawa, its people, and their history and culture, to the world’s attention if only for a moment.
Jon Itomura, executive director of Hawaii United Okinawa Association, being interviewed by the Ryukyu Broadcasting Company (琉球放送, RBC):
Since then, I have been keeping up with the news as much as I can, and with individual friends’ and colleagues’ social media posts, as well as discussing the fire and the significance of Shuri with friends both here in Tokyo and overseas. That very night, after the fire, I immediately started reading two books which had long been near the very top of my “to read” pile: Tze May Loo’s Heritage Politics: Shuri Castle and Okinawa’s Incorporation Into Modern Japan, 1879–2000, and a chapter on Shuri castle and “Ryukyu Restoration” in Gerald Figal’s book Beachheads: War, Peace, and Tourism in Postwar Okinawa. Thanks to another kind recommendation, I was able to share some of what I had learned, about Okinawans’ own feelings about the significance of the 1992 restoration, the existence of the castle since then, and the tragedy of its loss, in a piece for a UK-based art world magazine, Apollo. My sincerest thanks to Dr. Simon Kaner for passing this opportunity along to me, and to Apollo for seeking to publish something on this beautiful and powerful place that has such a special space in so many people’s hearts.
The main hall (Seiden 正殿, or Momourasoe udun 百浦添御殿) at Shuri castle, in a photo I took in Sept 2014.
There is still so much more that I have to say, and that so many others have been saying. It’s been more than two weeks since the fire now, and a part of me felt that I really ought to post something here on the blog almost immediately. Some of my loyal readers, if I indeed have any (I don’t presume I do), may have noticed the conspicuous absence of any comment on the event until now. But I delayed because I felt there was still so much to read, and to think about, and to synthesize. And I think there will still be more posts yet to come. But I wanted, now, finally, today, to start to share some introductory thoughts. Over the coming days and weeks, if I end up keeping to it, I may end up posting more.
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For those interested in contributing to the reconstruction efforts:
*One way to do so, particularly for those in the US, is through a GoFundMe organized by the Hawaii United Okinawa Association.
*Those who pay taxes in Japan can redirect their furusato zeikin to the reconstruction effort: https://www.furusato-tax.jp/gcf/717.
*And the Ryûkyû Shimpô newspaper is maintaining a list of other ways to donate: https://ryukyushimpo.jp/news/entry-1019118.html
Those who have visited the castle may wish to share photos with a lab at the University of Tokyo which is working to combine crowdsourced photographs into a 3D virtual digital model, or recreation, of the castle. See this link: https://www.our-shurijo.org/index_en.html
Another organization is working on creating an archive of people’s thoughts and experiences regarding the castle – not just rebuilding the castle, and continuing to try to safeguard the roughly 1100 out of 1500 physical historical cultural treasures which survived the fire, but to build and maintain an archive of memories. Watch this space: https://miraifund.org/kikin/shurijo/
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