Hyperallergic has a short but inciteful blog post today about the inclusion and absence of Asian-American artists in the Whitney Biennial. Since it is so short, I’ll just cite a few of the more biting quotes, and leave you to read the rest on Hyperallergic.
John Yau writes, “When the ubiquitous term “people of color” is used, does the speaker or writer also mean Asian Americans – … Or should Asian Americans simply check the box labeled “Other” and quietly and politely go – like all well-behaved Asian Americans – into the room marked INVISIBLE,” and further,
… if you are part of the art world, you live in a segregated society full of little ghettoes, with one of them being “people of color who make abstract art” and another being “Asian-American women who deal with identity.” … Is it true that if you are a person of color (black, brown, yellow or red), the only way to get into the Biennial is to make work that deals with racial identity in a way that is acceptable? Who determines that agenda? If you go by the Whitney’s curatorial choices, the answer is obvious. You have to do what white curators want or you are going to remain invisible.
I guess I’m guilty of it too, as I always have a particular fondness for Asian-American art that deals with identity, or otherwise with explicitly Asian themes… Not really sure, what’s the way out? All curators have their tastes, their preferences, the themes or styles they want to show – that’s what it means to curate. Maybe we just need to get more different curators in there, with more different interests, including more Asian-American curators.