*As you may know, the Ainu are an indigenous people of northern Japan, mostly associated with Hokkaidô. For about five weeks this past January to February, a small group of Ainu youths (along with an interpreter and a few supporters) journeyed to Aotearoa (New Zealand) to meet with members of the Maori community, engaging in cultural exchange and building connections. The indigenous rights / indigenous cultural movement among the Ainu is relatively young, gaining strength only since the 1990s, and the group was only formally recognized by the Japanese government as an indigenous people in 2008. These exchanges with peoples such as the Maori help the Ainu connect into a larger, global indigenous peoples movement, and help them consider and develop ways to maintain or revive their traditional culture, as well as ways to move forward, into a “modern indigeneity” or an “indigenous modernity.”
Having now returned, participants in the Aotearoa Ainumosir Exchange Program will be sharing their experiences at an event in Yokohama on June 1st.
*Colleen Laird, a good friend of mine, has had an article published in Frames Cinema Journal! It is entitled “Imaging a Female Filmmaker: The Director Personas of Nishikawa Miwa and Ogigami Naoko.” Admittedly, I have yet to find time to read it, but it certainly looks fascinating. Congratulations, Colleen!
*Gavan McCormack has published yet another article on the Senkaku/Diaoyutai debate, over at The Asia-Pacific Journal: Japan Focus. Interesting and important to understand the details of the history, but, of course, none of that really matters – the debate isn’t really about history so much as it is contemporary national pride and related issues.
*Meanwhile, the ruins of a Buddhist monastery at Nalanda in India, are to become the site of a new university. The monastery is claimed to have been a thriving “university” in the 5th to 12th centuries, hundreds of years before the advent of the university in Bologna, Paris, Cambridge and Oxford. I appreciate the sentiment, the desire to de-Eurocentrize world history. But, still, I’m a bit skeptical. That said, congrats to Nalanda on a bit more public exposure for this marvelously impressive site, and best of luck with the new university.
*Finally, I have finally buckled and given in and started a Tumblr, which I’ve titled “byakko zatsuga,” or “white tiger miscellaneous pictures.” I’m really kind of surprised to discover that zatsuga doesn’t seem to be a standard term in Japanese art history at all. Look through woodblock printed books of the Edo period, and you’ll find tons that are, essentially, just collections of assorted random pictures. And the books have such a wide variety of titles, including terms such as manga 漫画, gafu 画譜, gashi 画志, gaden 画伝, ehon 絵本, zasshi 雑誌, zakkô 雑考, gakyô 画境, and gashi 画史… yet I have never seen any called zatsuga.
In any case, my blog posts here tend to be pretty long, as you might have noticed; the Tumblr provides me an opportunity to share pictures with a minimum of commentary, as well as quotes, videos, or the like, and most especially, while I will be sharing images of historical artworks, or items related to serious topics such as gender theory/feminism, it also provides me a space to share things a bit too silly or frivolous for this blog.