Ack, did I really never post about the symposium at which I presented this past February? And the associated small exhibition I co-curated? I’m ever so sorry.
Here’s the story. Some time ago, the National Museum of Japanese History (国立歴史民俗博物館, or Rekihaku for short) was planning to do an exhibition on processions and parades in Early Modern Japan, and decided they wanted to borrow a handscroll painting from the University of Hawaii collection to include in that exhibit. The University of Hawaii – and most especially Tokiko Bazzell, the Japan Specialist Librarian – decided to take advantage of the opportunity, to hold our own small exhibition, in conjunction with the return of that scroll painting from its being loaned to Rekihaku. I’m sure there were all kinds of behind-the-scenes considerations and negotiations, and then, completely unexpectedly, I found myself being invited to co-curate this small exhibition, alongside my MA advisor, Dr. John Szostak.
As I was graduating, I was not able to be on campus to work hands-on directly with the objects, or with the gallery, in order to help figure out what would fit where, or anything like that. But, having handled some of these objects before in person, and drawing upon my MA thesis research, I was able to contribute gallery labels, to suggest which sections of the scrolls to show, etc. It was an absolutely privilege and pleasure to get to have my curatorial debut be in Hawaii, and to be an Okinawa-related exhibit; and, of course, it was a privilege and pleasure to work with Tokiko-san and Prof. Szostak on this.
Long story short, the exhibit, entitled “Picturing the Ryukyus: Images of Okinawa in Japanese Artworks from the UH Sakamaki/Hawley Collection,” opened at the University of Hawaii Art Gallery, and showed from February 7-22 this year. While the Rekihaku exhibit featured a wide variety of early modern processions and parades, from sankin kôtai daimyô processions and festival parades to Korean, Dutch, and Ryukyuan embassy processions, ours focused in on just Ryukyuan (i.e. Okinawan) subjects. The highlights of the exhibit were a 1671 handscroll painting depicting a Ryukyuan embassy procession in Edo in that year, the oldest such Ryukyu embassy procession scroll extant, and another scroll, this one sixty feet long, and in much brighter, bolder colors, depicting a 1710 procession. The 1710 procession is of particular significance as a mission which set new standards in dress, ceremonial, and form of the embassy, precedents which would stand, to a large extent, for the remainder of the early modern period. Plus, it’s simply a wonderfully beautiful object. Given its incredible length, however, we were only able to show a small section.
Here is me talking about the exhibition:
Other objects in the exhibition included a scroll painting depicting Chinese investiture ceremonies in Ryûkyû and related subjects, copied by the Japanese artist from a Chinese source; a set of colorful woodblock prints depicting a procession of the 1832 embassy, the year of a so-called “Ryûkyû boom” – 1/4 of all popular publications produced in the early modern period were produced in that year; and, finally, a Meiji period accordion book depicting “customs and folkways of Okinawa.” All beautiful objects, and all just wonderful to see on display like that. I’m sad that the exhibit is gone, existing now only in our memories, in installation photos we’ve taken, and in the various documents we produced in the planning and preparation. But, fortunately, all of the objects are still quite visible and accessible online, either at the Sakamaki-Hawley Collection Digital Archives webpage, or through the UH Library’s Treasures from the Libraries webpage.
You can see all my photos of the installation here.
The exhibition was accompanied by a set of public lectures, and a symposium, held in conjunction. Prof. Kurushima Hiroshi from Rekihaku, Prof. Szostak, and myself, presented on a panel alongside two of the truly top experts in Ryukyuan history, Prof. Yokoyama Manabu of Notre Dame Seishin University in Okayama, and Prof. Gregory Smits of Penn State. It was kind of nerve-wracking to be up there along with such prominent scholars, but was really quite pleasant, and extremely informative, in the end. As they say in Japanese, taihen benkyô ni narimashita 大変勉強になりました.
I apologize to not summarize or comment upon the talks here, as I have been doing for the AAS talks I attended last month. But, many of the talks, associated PowerPoints, and even video of the presentations, are now available online, on a UHM Hamilton Library webpage. These will all eventually be added to the University of Hawaii University Repository, also known as ScholarSpace.
And, the full audio from my talk at the symposium can be found via the Samurai Archives Podcast. In the next episode of the podcast, I talk with C.E. West, Shogun of the Samurai Archives website, about the presentation, the symposium, and the exhibit. Now that the following third and final episode in the series is available, I’ve added the link to that here.
Meanwhile, you can also read about the Rekihaku exhibit here; I myself did not get to see the exhibit, which sounds like it was spectacular, but, at least I’ve managed to get my hands on the catalog, and a mighty beautiful catalog it is, for just 2000 yen.